Categories
Reviews

Deafened To Death – Deafened To Death (album review)

Deafened to Death is a hardcore band from Friesland, and started out as a side project during Covid from members of the band Kletus. Their debut album Deafened To Death was released on June 21st, so it was time for a review. 

Deafened to Death is again a band that’s hard to find online. So far we’ve only learned that the band started out during Covid, and that some of their members are part of Kletus, but that’s about it. Luckily, we’ll be having an interview with these guys soon, so more on that later. Let’s just dive into their debut album. 

Make Do

Deafened to Death starts off with the short intro track Make Do. Short seems to be the theme of the release; it’s hardcore, so we didn’t expect tracks of more than 3 minutes. But there’s only one track over 3 minutes, the rest of the tracks is around the 2-minute mark. Hence we see 12 tracks on this album, with a playtime of just 22 minutes. Make Do is basically a bit of noise, a long intro with some guitar squeals and a scream, to ease us into the first real track, Deafened To Death

D.T.D.

The album kicks off with a fast-paced riff, although it quickly turns into a more groovy vibe. And before you’re really in the groove, the track has shifted to the next one. This is the type of album that you just need to listen to in one go; there are no real tracks. It’s just one, long, track with different riffs and themes. It all flows together. 

And with an almost seamless transition, we go on with Poison. The fast-paced riffs we first heard in Deafened To Death return with The Surface. The Surface is also on one of the few tracks has an ending to it. A bit of thrash and deathmetal influences seem to seep through in the tracks, with I Will Hunt You Down and Brother as examples. I Wil Hunt You Down starts with some samples, to add another layer to the track. It also feels more like a deathmetal track due to the vocals. 

That trend continues with Brother, in both riffs as well as vocals. That makes it my favorite song on the EP. Oh, and it’s squeal central, for the guitar lovers among us. And speaking of guitar lovers: Dogma has a short but fast guitar solo right at the start, and Wise As Serpents, Innocent As Doves has some more if you’re looking for some technical parts. 

Wise As Serpents, Innocent As Doves mightalso  be the most groovy headbangable track on the album. This track features some guitar solos and breakdowns, and heavy headbang riffs. But DTD is a very diverse band, so Domesticate turns in a different direction with more of a punk vibe.

Put To Rest might be the heaviest track on the album. It’s also taking us back to more of a death metal vibe again. Hardcore bands usually have a very clear message, and Put To Rest is one of those tracks with a clear message. And with that, we’re already at the final track of the album: All That I Am.  This track is probably a good summary of the album, with interesting riffs, fast-paced moshy parts, headbang riffs, and of course, lyrics with a message to scream along to.  

Final Thoughts

Deafened to Death is a short, but packed-with-energy introduction to Deafened To Death.  I can only imagine what a live show of these guys would be like. My only comment, but I guess that’s the same with most hardcore bands, is that the tracks are a little short. All That I Am is probably my favorite track, so if you really can’t spare 22 minutes to listen to the full thing, just listen to that. 

You can find Deafened to Death on Instagram.

Categories
Reviews News

Gallamesh – Conditioned Pt. 1

Releasedate: 21.06.2024

Gallamesh is a new modern metal band from Amsterdam, and they just released their debut EP Conditioned Pt.1. We really liked their previously released singles, so we were excited to give the full EP a listen. 

Categories
News Reviews

Another Now – HEX (review)

Releasedate: 22.05.2024

Another Now is a different player in the Dutch metalcore field and in the metalcore field in general. The band released their first album ‘OMNI’ in 2021, which landed them gigs with Asking Alexandria, Beartooth and Ice Nine Kills. Now, the band is back with their second full-length, ‘HEX’. Of course, we had to review it. Also this year, they are playing one of the biggest core festivals in the Benelux, Jera on Air, alongside Electric Callboy and Enter Shikari. And right before this review aird, we learned that they will be opening for Machine Head! Who is this band?

Another Now

Another Now is a metalcore band from Eindhoven. There must be something in the water in Eindhoven, ‘cause it seems every gem in the Dutch metal scene seems to emerge there. Another Now is definitely one of them. This band blends metalcore with electronic influences in the style of I Prevail and Crystal Lake. I’d rather label them electroniccore or trancecore because of that. They’ve been around since 2018 and released their first full-length in 2021. They have been teasing their latest release ‘HEX’ with the release of the singles Would it Kill You, Breathe, Smile and Doubt. The album, HEX, is 45 minutes of club-style metalcore, metal enough to get our heads banging, core enough to get in your crowdkills, and club enough to start jumping. 

HEX

HEX feels like the soundtrack to a game, but Another Now really isn’t playing. The lyrics are dark, talking about daily struggles. There are a couple of interlude tracks in between a number of stand-alone songs, to tie them together. The album opens with _VISIONS which, like everything on the album, is heavy on electronic influences. After a soft intro, we get all the elements that are featured on the album, from heavy breakdowns, tight drumlines, deep grunts, melodic vocal lines, and heavy emotions to piggy squeals. 

_VISIONS is the opening track, but it’s actually a prelude for DAYDREAMERS, the first real track of the album. After a short synth line, we dive headfirst into the heavy grunts and riffs. All the elements from _VISIONS are present in this track as well. The soft vocals in the pre-chorus parts fit the dream theme well, but the heavy breaks right after are a rude awakening. 

DOUBT turns up the intensity to eleven right from the start. It’s also a more groovy track, with a really catchy pre-chorus. I can see some bouncing action during a live show happening there. This track is maybe a bit more mainstream metalcore, at least the chorus is. Another Now show off their versatility with deep grunts and melodic vocal parts really well on this track.

just BREATHE

BREATHE is my favorite track of the album, and it has been since its release earlier this year. BREATHE is heavy on the electronics, and the samples and synths really add to the heavy party feel on this track. The chorus on this track has one of the best hooks on the album, and the toned-down chorus after the break is a really nice change of pace and another example of Another Now’s qualities. 

Onto the title track of the album, HEX. Another track that has been released prior to the album. After BREATHE, HEX feels a bit chaotic, and even a bit towards deathcore in some aspects. There are plenty of squeals, and the tempo goes through the roof on this track. The breakdown at the end is one of the best on this album as well.  

WOULD IT KILL YOU starts off with a synth line that seems to have been borrowed from the Mass Effect soundtrack. It doesn’t take long for the song to kick in after that, though. Another heavy track, similar to HEX, but with a commercial chorus like BREATHE again. A track like this will do well in a club as well, I imagine. DRIP is similar in that aspect, and it has some hip-hop influences as well. The groove in the verse is hard, but the chorus lets us know we’re still listening to the same album. This is a quieter song, even though there are enough breakdowns, this track would qualify as the ‘ballad’ of the album. 

And after a ballad, of course, is a happy song to lift us up again. SORRY definitely begins like that. This track has one of the strongest choruses of the album, and I imagine this being one of the favorite tracks for a lot of people because of it. For me personally, though it’s groovy, the verses feel a little too empty to me. 

Smile Back

SMILE! is another hard track, which fits the lyrics. With lines like “Death smiles at us, all we can do is smile back” it makes you wonder about the inspiration for this track. THE DEATH OF EVERYTHING features almost Polyphia-like dreamy guitars in the soft break in the middle, only to kick right back into heavy metalcore again. Again, a very catchy chorus; it seems to be a standard on this album. 

Just when you thought we’ve had the ballad with SORRY, we get to MIRAGE, which is even slower, more emotional, and has heavy lyrics like ‘we’re just a mirage of, what we used to be’. It’s more an electronic vibe than a metalcore song, however, the reprise of the track at the end still brings all the vibes. The perfect lead for the final track of the album, another banger, HORIZONS_. Even though I haven’t read all the lyrics for this album, it feels like HORIZIONS_ completes a story. Not just because of the closing underscore that _VISIONS opened with; the song itself feels like the completion of a story. 

Final Thoughts

HEX is a solid and coherent album, that feels like one big trip. My favorite track of the album, and has been since its release, is BREATHE. But there are plenty of other bangers on this album. And even the two tracks that are a bit more on the softer side won’t let you down. It is, however, a very unique niche of metalcore, and probably not just in the Netherlands. It might speak to a broader audience, but the people who dislike the crossover genres will probably have a hard time getting into this album. However, Another Now might be a gateway metal band for people who still don’t know if metal is something they’d enjoy. Just listen to BREATHE, and you probably will for sure. 

Tracklisting:

  1. _VISIONS
  2. DAYDREAMERS
  3. DOUBT
  4. leaving
  5. BREATHE.
  6. HEX
  7. we will be more careful next time
  8. WOULD IT KILL YOU?
  9. DRIP
  10. SORRY
  11. 290332
  12. SMILE!
  13. THE DEATH OF EVERYTHING
  14. MIRAGE
  15. HORIZONS_

You can find Another Now on their website. 

Check out the full album here: 

And be sure to check out the videos on Youtube! 

Categories
News Reviews

Loyalty Ends Here – Darkest Red (review)

Releasedate: 18-05-2024

Loyalty Ends Here is a name that has been hard to miss in the Dutch metal scene this year. Last year they were the winners of the Wacken Metal Battle with just one track to their name, and since then, they have been all over the place. Gigs, festivals, new music, even a video. These guys have been working hard. The crown to all their hard work is released on the 18th of May with their debut EP ‘Darkest Red’. 

Loyalty Ends Here

Loyalty Ends Here is a 5-headed metalcore band from the Netherlands. They make melodic metalcore from the early years of the genre. Bands like Trivium, As I Lay Dying and Lamb of God have been inspirations for their music, so you know it’s going to be melodic, hard, technical, and loud. Where a lot of other metalcore bands focus on breakdowns, Loyalty Ends Here is more focused on interesting riffs. 

Their band name ‘Loyalty Ends Here’ is reflected in their lyrics as well, with lyrics about loyalty and betrayal. As with most bands, their lyrics are about the complexity of relationships, with Deadweight as a clear example. 

Three new tracks

Darkest Red consists of three brand-new tracks and two previously released singles. The EP opens with a new track, Sea of Harlots. The main riff somehow really reminds me of Trivium’s ‘Watch the World Burn’ and even though Richie’s vocals are completely different to Matt Heafy’s, it’s easy to see where they draw their inspiration from. The track starts with the same fade-in Testament opened with, and a similar mainriff. It also ties in nicely with the other track we’ve heard before, Deadweight. For people that have heard Testament it’s nice to have some recognition, for the new listeners: welcome to Loyalty Ends Here. 

This is a moshpit party track, so the party starts right away with these guys. The quality of the mix is really high, and sounds like these guys definitely should be playing at those bigger festivals. The emotional lyrics that I liked so much in Deadweight come through at the end of the track as well. And while it’s a bit harder to learn the lyrics, I can imagine people screaming the chorus once they know what to shout. 

Deadweight

The EP continues with Deadweight. It was the second track the band released, and it was accompanied by a fan-filled video. A good way to engage your fans at an early stage, and the result was an energetic, inspiring video. Richy has a bit more melodie in his vocals on this track, the track however is less riff-filled than Sea of Harlots. That’s on purpose since the whole track is working towards the great guitar riff in the middle of the track. That build-up is portrayed in the video nicely as well by the way. 

Medicate me for Silence

Medicate Me for Silence is probably the hardest track on the EP, and the only one that doesn’t start with a fade-in. It starts out strong with Richie screaming his lungs out with ‘I’m losing my god-damn fucking mind’.  The moment he shouts ‘hurricane’ is the moment the song really starts. This track is the fastest and the hardest on the EP. The guitar parts on this track are less riff-heavy, and more Lamb as God-style groovy, which is definitely a nice change. In terms of crowd-pleasers, this is probably the wall-of-death track. The chorus still shows similarities with Deadweight and Sea of Harlots, but it’s only vaguely reminiscent. 

Darkest Red

On to the title track Darkest Red. Of course, it starts with another fade-in and another similar riff. Loyalty Ends Here manages to keep things consistent, and they definitely found their own style. It would have been a good track to end the EP with since it feels like a summary of the EP with similar guitar riffs and a similar vibe to the rest of the songs. New in this track the slower break in the middle of the track and the stutter effect over the vocals in that part. With the “Cyanide” part we are bound to have some crowd interaction, and again, the chorus is easy to sing along to.  Music is therapy for a lot of people, and especially metalheads. This whole EP, but mainly this track, will serve that purpose well.

Testament

We first got to know Loyalty Ends Here through their track Testament, so it’s only fitting to end their debut EP with this track. Testament was released before they entered the Metal Battle competition last year and has been a banger from the start. With the recognizable guitar riffs and the strong vocals (“This is my Tes…. Ta….Ment’) it’s easy to listen to and shout along. The fade-in at the start feels a bit redundant at this point, however. The band has cleary evolved since releasing this track; the newer tracks feel a lot faster and heavier than Testament. However, Menno deserves a shout-out for the heavy drum parts in this track.  After the break at the end, the “like roses’ is again a nice crowd-interaction moment. And of course, the final line ‘I’ve think I’ve had enough’ is a great ending to The Darkest Red.

Final Thoughts

Darkest Red is exactly what we would expect from Loyalty Ends Here. They’ve continued to evolve since Testament and their newest tracks are complex but very commercial. I mean that in a good way; this entire EP is filled with bangers, and Loyalty Ends Here proves that they are ready for the bigger stages with both the quality of the tracks and the production. That makes it hard for me to choose a favorite track on this EP. Deadweight is still a favorite because of the epic riff, however, the new tracks Sea of Harlots and Medicate Me for Silence are good contenders as well. With just a little of 20 minutes in total, there is no need to pick favorites though, you can just listen to the whole thing in your lunch break.

Tracklist:

Sea of Harlots
Deadweight
Medicate me for Silence
Darkest Red
Testament

You can find Loyalty Ends Here on their website and in our database.

Categories
News Reviews

Deeproot – Deeproot

DEEPROOT  came out of nowhere. They released their first single at the beginning of 2024 and dropped a 15-minute EP filled with samples and electronic-influenced deathcore. DEEPROOT came to slay. After hearing MIMIC, we were excited to listen to the full EP, so strap in for our full review.

Deeproot

DEEPROOT is a relatively new deathcore band from the Netherlands. Besides vocalist Sten, who is also known for his work with Ecocide, the other names didn’t really ring a bell for me. Which is strange, hearing the quality of music. Especially the production of the EP has a very high standard, which is, according to Instagram, Morgan and Denny’s doing. 

Tight, clean and massive are keywords that describe DEEPROOT’s music well. The entire EP spans just over 15 minutes. It’s very coherent, so it might as well have been one, continuous track. The EP starts with a sample in Inception. The sample sets the tone for the theme of the EP, and immediately brings out the aggression. The crunchy sound of the guitars has us wanting more right away. And I imagine fans of Lorna Shore, Shadow of Intent and Suicide Silence will like this EP as well. 

About the EP

The first track we heard from this band is MIMIC, and we were heavily impressed by the quality when it released. The use of samples adds to the heavy riffs and grunts, and there are plenty of technical guitar parts to enjoy as well. 

Shadow Work and The Blade Itself were new tracks on this EP in addition to the intro track. Shadow Work is by far my favorite track on this EP, probably because of the orchestrations and the nice balance between melodies and heaviness. It’s a groovy track, and I didn’t know Sten’s grunts could pack such a punch. The Blade Itself is a dirty, angry, dissonant track. The guitars are so nasty they sometimes remind me of a screaming cat (might even be a cat, and not a guitar, if you listen closely). Still very groovy, still samples and orchestrations, but overall just a nasty (in a good way) track. Especially the chorus riff. 

Frenzied is the odd-one out, in a way, with a bit more melody in the guitar riffs. I love those riffs, it reminded me of Shadow of Intent,  but I really dislike the abrupt cutoffs where it’s just completely silent. It’s a style choice, I respect that, but I personally wouldn’t have made that decision. 

Final Thoughts

My only dislike with this EP is that it’s too short. We want more from this band. Well, ok, not my only dislike. They should have fixed the cutoffs in Frenzied, because without those that would probably be a banger of a track as well. My favorite as it stands, however, is Shadow Work. If you’re just going to listen to one track, listen tot that one. 

Tracklist

  1. Inception
  2. Shadow Work
  3. The Blade Itself
  4. MIMIC
  5. Frenzied

You can find DEEPROOT on Facebook.

Categories
News Reviews

NH Metalfest IV

On April 19th, the 5th edition of NH Metalfest took place at De Flux in Zaandam. MetalFromNL was there to take some pictures and write a review of the evening. An interesting night it was! Stay tuned for more pictures of the bands later.

Categories
Reviews News

Dead Head – Shadow Soul (review)

Founded in March 1989, Dead Head is a 4 piece band originally from Kampen, Zwolle (NL). They still write their music in Kampen but as quoted from their website: ‘No band member has actually lived there for 20 years’.

With over 7 albums on their name, Dead Head is a staple within the Dutch Thrash metal scene and just released their 8th studio album called ‘Shadow of Soul’.